Mar 24, 2022
ACOMAF Re-Read - Complete Notes, Quotes, and Criticisms
Mar 21, 2022
Excuses, Excuses (ACOMAF Re-read)
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| A victim of his creator |
Chapter 55 is probably the most well-known chapter in the entire series. I'm not going to go in to why, but while I will say that what I found kinda hot 3 years ago, I can barely stomach listening to/reading now.
So while chapter 55 is infamous, I think Chapter 54 might actually be the most important one in the entire series, certainly the first two books. Tamlin's retcon had been slowly building since page one of ACOMAF, it's Chapter 54 that really buries him.
It's basically a pages long explanation of why Rhys isn't anything like what we knew of him in book one, setting up the smut to come in the next chapter (because how could our heroine ever fuck a guys that isn't perfect).
Long story short, he knew of Feyre before she ever came to Prythian, he loved her from the first, and every last thing Rhys ever did was done with the express purpose of being near her, or being with her, or whatever. I forget. My brain got addled from all the eye-rolling.
It's obviously supposed to be some grand, romantic thing (it's destiny! it's fate!), but it also reveals what a lot of the fandom already suspects about him - that he's a manipulative, self-centered....prick.
SJM methodically tries to tie up every loose end imaginable with regard to Rhys's true character, but I am still left with so many unanswered questions.
Mar 14, 2022
Feyre is already wearing her Rhys-colored glasses (ACOMAF re-read - Chapters 15-24)
It really is interesting how you remember things completely differently than you think you do sometimes. I came in to this re-read fully expecting to find gobs of evidence re: how Tamlin really is the crazy ex-boyfriend we're obviously supposed to believe he is, but it's just not there. And technically speaking I'm not even to the really good stuff yet (Feyre's return to the Spring Court and the High Lord meeting).
Instead what I'm finding is a very pointed deconstruction of Tamlin as a decent character and the object of Feyre's affection. Like I can practically picture SJM sitting there with a white board and a pointer indicating one by one every reason why Rhys is the paragon of male perfection all men should aspire to and all women should want. Therefore, I'm making it my goal in life to construct my very own chart, as it were, to show how her own text, and her own words even, are running completely contrary to what she so obviously wants us to believe (Tamlin Bad, Rhys good).
Also, at this point you really start to see that Feyre is really good at coming to realizations about things concerning Tamlin and doing absolutely nothing about it, which makes what she does later on especially shitty.
And obviously I say all of the above knowing full well that this is SJM's creation, and she has the final word on it all, but my dissection of her text has less to do with proving a creator wrong about their own creation and everything to do with saying she did a crap job explaining it all away.
At this point in the story we're still not sure that Feyre is never going back to the Spring Court or how she feels about Tamlin. Knowing what we do know, however, makes a lot of her thoughts and words take on a whole new perspective. I think the biggest thing we learn about Feyre at this point is that she's attracted to power, she might say how she doesn't want to be coddled or protected or that she can do it herself, but it's obvious she gets her rocks off from seeing overly powerful men quite literally kneel before her.
Maybe that's what Tamlin's problem was; he was good and powerful enough for frail, mortal Feyre, but high fae Feyre needs someone even better (so naturally she's go for the most powerful high lord in a century....can't wait til we start hearing that every other fucking sentence). I mean for fuck's sake, Rhys puts her in a fucking crown before going to see her family (in the goddamn house they wouldn't even have if it wasn't for Tamlin, tyvm), and she doesn't even spare a thought for who the hell is she to have this dude putting her in a goddamn crown.
Sidenote: I've found that since Kindle and Audible integration make it so easy, it would be better to post my notes and highlights direct from the book here, so that way it's not just word vomit and musings here - I'm backing up with cold, hard quotes.
Mar 11, 2022
Where nothing is what you think it is (ACOMAF Re-read, Chapters 1-15)
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Ianthe and Tamlin |
I wonder how many people started ACOMAF after ACOTAR and were like "wtf is going on?" Literally nobody behaves the way they did in book 1. Feyre becomes a meek doormat, Tamlin goes full tin foil hat, and Rhys is suddenly nice.
Speaking of our boy Tam - he's not doing me any favors in this book when it comes to trying to prove he's not really a douche. A cursory surface read just shows him as a possessive overprotective asshat, but I really don't think it's coming from a mean place. He's obviously taken his role as protector to a completely inappropriate place. That's really the main sticking point for me with how the fandom reacts to Tam (and the whole Tamlin the Tool) thing - like he's not doing this to be an asshole. He's not right, and he doesn't listen to Feyre when she expresses how he's smothering her, but it is coming from a place of love.
Love can get obsessive. Love can hurt. And oftentimes you really can't hurt or be hurt by someone unless you love them (otherwise why would it bother you?). I think when you get down to it, the way he tries to protect Feyre, the way he obsesses over protecting her (homeboy freaks out and spends hours as a beast just to feel like he can protect her better), is just sad. It's like Feyre is the only thing that matters in his life so she must be kept safe at all costs. It's pathetic and sad that he's so lonely that he literally feels like he'll have nothing left if anything happens to her. I've kind of felt like that at some points in my life - it's like that obsessive feeling you get with a new relationship, when all you can think of is that person - and to be dumped before that can wear off (it always wears off) is like having a limb cut off.
